Photos Top cast Edit. Anderson Samson as Samson. Adrienne Barbeau Ruthie as Ruthie. Debra Christofferson Lila as Lila. Clea DuVall Sofie as Sofie. Brian Turk Gabriel as Gabriel.
Diane Salinger Apollonia as Apollonia. Scott MacDonald Burley as Burley. Daniel Knauf. More like this. Watch options. Storyline Edit. The Dustbowl. The carnival is owned by the mysterious and unseen Management, who has designs on the young Hawkins, for the boy is concealing an untapped gift: he can heal the lame and raise the dead--at a price.
Ben also finds himself disturbed by cryptic and prophetic dreams, which he shares with a Methodist preacher in California, Brother Justin Crowe. Brother Justin, convinced by his dreams he is following God's will, has begun to practice his own extraordinary talents, although the preacher's plans increasingly lead to disturbing and tragic consequences. In this "last great age of magic," Ben Hawkins and Justin Crowe are moving toward a great conflict between Good and Evil, although it not yet clear on which sides these men will stand.
Into each generation is born a creature of light and a creature of darkness. Drama Fantasy Mystery Thriller. Did you know Edit. Trivia The intro at the beginning of each show is so intricate and complex it took months to assemble. Goofs Whenever "Russian" dialogue is heard, most of it is just gibberish. Quotes [Opening lines of the series] Samson : Before the beginning, after the great war between Heaven and Hell, God created the Earth and gave dominion over it to the crafty ape he called man.
User reviews Review. Top review. HBO does it again Leave it to the same cable network who gave us "The Sopranos" and "Six Feet Under," to find the nexus where the likes of John Steinbeck, Stephen King, Clive Barker and Ray Bradbury could co-exist and produce such a product of dark, disturbing and eerie wonder as this.
If Daniel Knauf is not David Lynch masquerading as someone else, then they are indeed cinematic soul mates. How else could you explain the daunting premise of setting such a classic struggle of good vs. It's a good sign that wherever the overall story arc is going, it was engaging enough to attract some top notch talent, from both mainstream features and more edgy, independent fare. One is a "creature of light," while the other is a "creature of darkness," as intoned in the opening monologue by carny boss Michael J.
Anderson, of "Twin Peaks" fame, cementing the Lynchian vibe. The fact that the identity of each is never clearly or inanely foreshadowed or telegraphed to the audience, is one of "Carnivale's" many compelling hooks. Even genre staple Adrienne Barbeau gets into the act as the mother of the strongman, and if the previews are any indication, her part in all of this gets MUCH bigger later on.
This is the kind of television that TV rarely does anymore, dark, gritty, disturbingly inventive. No wonder the networks are slowly dying, since cable is quickly becoming a safe haven for filmmakers who dare to take the kinds of risks that make their audiences think "outside the box. FAQ 3. How does the magic work in Carnivale? Frisch, Morton J. Fukuyama, Francis, and Michael Mcfaul.
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